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rhuSo I just diagrammed the structure of one of the movements of PDZ that's been giving me trouble. I have fifteen thematic elements in a movement that's 216 measures long. Perhaps that's why the middle feels unsatisfying.
And harmonically I'm spending too much time in D. There are 24 bars in e minor, 20 in a minor, but the rest are either D major, D minor, or B minor (which might as well be D). While I was going for a more through-composed feel and trying to avoid sonata allegro formulaicism in this movement, I may have overcompensated.
Sigh. The hardest part of composing is ripping out something you've been living with for a long, long time and then composing something different without slipping back into what didn't work the first time. (Come to think of it, that's also why I have a hard time composing crossword puzzles.)
Although in this case I think there's a strategy that may help: I should start by taking any thematic element that occurs only once, saving it for another piece, and seeing if one of the more prominent elements in the movement can be made to fit the affected lyrics.
And harmonically I'm spending too much time in D. There are 24 bars in e minor, 20 in a minor, but the rest are either D major, D minor, or B minor (which might as well be D). While I was going for a more through-composed feel and trying to avoid sonata allegro formulaicism in this movement, I may have overcompensated.
Sigh. The hardest part of composing is ripping out something you've been living with for a long, long time and then composing something different without slipping back into what didn't work the first time. (Come to think of it, that's also why I have a hard time composing crossword puzzles.)
Although in this case I think there's a strategy that may help: I should start by taking any thematic element that occurs only once, saving it for another piece, and seeing if one of the more prominent elements in the movement can be made to fit the affected lyrics.